Sex miseducation: The messy history of TV’s most disappointing format.The Outlaws review: Christopher Walken does community service in slightly naff misfit comedy.Oh my crump! The cast of Stath Lets Flats on making their cult cringe comedy hit.His colleague Carole (Katy Wix) is heavily pregnant after their ill-fated one-night stand and he’s desperate to be a good father, his excitement manifesting by way of singing to strangers’ babies and crying in the back of cars. Even by the sitcom’s already lofty standards, the opening episode of series three is one of the funniest half-hours of TV I’ve seen, every performance utter gold.Īs we rejoin the dodgy world of the London rental market (courtesy of Michael & Eagle Lettings), we find Stath (Demetriou) nervously anticipating a major life change. Fortunately, the series makes a damn good case for this argument. Enjoyment of Stath requires an acceptance of one central idea: that saying things wrong is the funniest thing in the world. At a time when schedules were dominated by dramedies, thrillers with jokes and one-person shows using laughter to make serious points about identity and mental health (as it largely still is), Jamie Demetriou’s series was a rare thing: an out-and-out comedy. All four seasons of the Emmy-winning series, each one better than the next, are available to stream in full.When Stath Lets Flats first aired on Channel 4 in 2018, it was an anomaly among the comedy landscape. But transitioning back into the real world isn’t without consequences for Barry, who can spend an entire episode being hunted by a pint-size martial arts master. When a job takes him to Los Angeles, Barry stumbles upon an acting class led by Gene Cousineau (Henry Winkler, in what may be the role that finally supplants Fonzie as his most memorable), a failed but charismatic mentor. Barry Berkman (Hader) is a traumatized marine whose newfound apathy toward the world and the very act of living makes him perfectly suited to work as a gun for hire. But what might sound like a played-out trope has taken on new dimensions of humor, darkness, humanity, and plain old weirdness, with its recently concluded final season serving as a brilliant crescendo of all of that dark weirdness mixed in with a little time jump. No one seemed particularly wowed when HBO announced that Bill Hader and Alec Berg were cocreating a series in which Hader would play a hitman with a conscience who attempts to go straight.
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